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	<title>Classical Weekly</title>
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	<link>http://classicalweekly.com</link>
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		<title>Mozart: Concerto for Two Pianos K.365 &#8211; Third Movement</title>
		<link>http://classicalweekly.com/composers/mozart/mozart-concerto-for-two-pianos-k-365-third-movement/</link>
		<comments>http://classicalweekly.com/composers/mozart/mozart-concerto-for-two-pianos-k-365-third-movement/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 22:41:17 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Mozart, Wolfgang Amadeus (1756-1791)]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=526</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/>Comment: Mozart never gets old, and I can listen to this work over and over again. The pianos are masterful and this concerto is a piece that&#8217;s not to miss. [...]]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/><p><strong>Comment: </strong> Mozart never gets old, and I can listen to this work over and over again.  The pianos are masterful and this concerto is a piece that&#8217;s not to miss.</p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/ggf57uJLwJ8" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended Recording:</strong><br />
<iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00005MJ15&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://classicalweekly.com/composers/mozart/mozart-concerto-for-two-pianos-k-365-third-movement/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mozart: Clarinet Concerto &#8211; 3rd Movement</title>
		<link>http://classicalweekly.com/composers/mozart-clarinet-concerto-3rd-movement/</link>
		<comments>http://classicalweekly.com/composers/mozart-clarinet-concerto-3rd-movement/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 21:46:01 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Composers]]></category>
		<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Mozart, Wolfgang Amadeus (1756-1791)]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=519</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/>Comment: Arguably one of the preeminent works for Clarinet, Mozart&#8217;s famous Clarinet Concerto in A Major doesn&#8217;t disappoint.  For bonus points you should also check out the Clarinet Quintet. Recommended [...]]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/><p><strong>Comment:</strong> Arguably one of the preeminent works for Clarinet, Mozart&#8217;s famous Clarinet Concerto in A Major doesn&#8217;t disappoint.  For bonus points you should also check out the <a href="http://www.youtube.com/watch?v=rMlyFdPRxEE&amp;feature=related" target="_blank">Clarinet Quintet</a>.</p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/ecvEBZqOKeA?rel=0" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended recording:</strong><br />
<iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00000IX73&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Get Noticed on ClassicalWeekly.com!</title>
		<link>http://classicalweekly.com/articles/get-noticed-on-classicalweekly-com/</link>
		<comments>http://classicalweekly.com/articles/get-noticed-on-classicalweekly-com/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 21:43:30 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=503</guid>
		<description><![CDATA[<br/>ClassicalWeekly.com is looking to showcase new talent! In addition to our weekly posting of unbeatable Classical Music excerpts, we&#8217;ve decided that it&#8217;s time to expand ClassicalWeekly.com to include up-and-coming composers [...]]]></description>
			<content:encoded><![CDATA[<br/><p><strong>ClassicalWeekly.com is looking to showcase new talent!</strong></p>
<p>In addition to our weekly posting of unbeatable Classical Music excerpts, we&#8217;ve decided that it&#8217;s time to expand ClassicalWeekly.com to include up-and-coming composers and performers, too.   Up until now we were releasing a suggested Classical masterpiece on or about each Friday.  We are now planning to add an New Artist feature where each week (or thereabouts) we will also showcase a new Classical Music or Opera performer, conductor or composer.</p>
<p><span id="more-503"></span></p>
<p><strong>If you would like to be featured in Classical Weekly&#8217;s &#8220;New Artists&#8221; section, please <a href="http://classicalweekly.com/contact/">contact us via the contact form</a> to let us know.  To be considered for inclusion in our new section please:</strong></p>
<p>1. Have a YouTube video (or a video on a similar service) that we can link to for our viewers to see.  Submissions without a video available will not be considered.</p>
<p>2. Include a brief bio about yourself (no more than one paragraph) so we can introduce you to our audience.  Are you a composer, a performer, a conductor? All three?  What instrument(s) are your specialties?  Do you have a genre you perform in the most?</p>
<p>3. As an added bonus we&#8217;d love if you&#8217;d <a href="http://www.facebook.com/pages/Classical-Weekly/104948972900764" target="_blank">like us on Facebook</a> or <a href="https://twitter.com/#!/classicalweekly" target="_blank">Follow us on Twitter</a> (though you do NOT need to do so to be considered for selection).</p>
<p>4. And if you are selected, we&#8217;d love it if you could put a link back to us on your website &#8212; something such as &#8212; &#8220;As Featured on ClassicalWeekly.com&#8221;.</p>
<p>5. If you have any questions please use our<a href="http://classicalweekly.com/contact/"> contact form</a> and ask away!  Please note that due to the volume of responses we will be unable to post everyone&#8217;s submission.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>iTunes Classical Music eBook 3rd Ed. Now Available</title>
		<link>http://classicalweekly.com/featured/itunes-classical-music-ebook-3rd-ed-now-available/</link>
		<comments>http://classicalweekly.com/featured/itunes-classical-music-ebook-3rd-ed-now-available/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 22:29:02 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=498</guid>
		<description><![CDATA[<br/>After receiving much user feedback, a the new-and-improved 3rd Edition of our iTunes Classical Music eBook, &#8220;A Digital Workflow for Classical Music and Opera CDs&#8221; is now on sale. The [...]]]></description>
			<content:encoded><![CDATA[<br/><p>After receiving much user feedback, a the new-and-improved 3rd Edition of our iTunes Classical Music eBook, &#8220;A Digital Workflow for Classical Music and Opera CDs&#8221; is now on sale.  The most significant addition to the Third Edition is the inclusion of an iTunes-Only Workflow. <span id="more-498"></span> So those of you who would like to continue to use EAC/LAME to rip your CDs won&#8217;t see a change, but for those of you who wish to simply use iTunes exclusively for the ripping and management process, there&#8217;s an entire new section dedicated to this workflow. Currently at an introductory price of $4.95, the 3rd Edition is our best version yet as it allows to examine both workflows and decide which method works best for you.  Head to our <a href="http://classicalweekly.com/ebook/">eBook page</a> now to get your copy of this book or to learn more about how this book will help you tame your Classical Music and Opera CDs.</p>
]]></content:encoded>
			<wfw:commentRss>http://classicalweekly.com/featured/itunes-classical-music-ebook-3rd-ed-now-available/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bellini &#8211; &#8220;Casta Diva&#8221; &#8211; Norma</title>
		<link>http://classicalweekly.com/genre/opera/bellini-casta-diva-norma/</link>
		<comments>http://classicalweekly.com/genre/opera/bellini-casta-diva-norma/#comments</comments>
		<pubDate>Sat, 01 Oct 2011 00:07:03 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Bellini, Vincenzo (1801-1835)]]></category>
		<category><![CDATA[Opera]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=494</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/bellini100j.jpg" width="100" height="100" alt="" title="Bellini, Vincenzo (1801-1835)" /><br/>Comment: There are many composers out there with works that are part of the standard repertoire, yet don&#8217;t always get the popularity they deserve, remaining in the shadows of operatic [...]]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/bellini100j.jpg" width="100" height="100" alt="" title="Bellini, Vincenzo (1801-1835)" /><br/><p><strong>Comment: </strong>There are many composers out there with works that are part of the standard repertoire, yet don&#8217;t always get the popularity they deserve, remaining in the shadows of operatic greats such as Mozart and Wagner.  Vincenzo Bellini was a talented composer for opera, and &#8220;Casta Diva&#8221; from his opera, Norma, is an example of some of the master work you find when you did a little deeper into Classical Music.</p>
<p><iframe width="560" height="315" src="http://www.youtube.com/embed/c3iFRaTwwj0?rel=0" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended Recording:</strong><br />
<iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00000630R&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mahler &#8211; Symphony #2: &#8220;Resurrection&#8221; &#8211; 4th Movement (end)</title>
		<link>http://classicalweekly.com/genre/symphony/mahler-symphony-2-resurrection-4th-movement-end/</link>
		<comments>http://classicalweekly.com/genre/symphony/mahler-symphony-2-resurrection-4th-movement-end/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 21:56:13 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Mahler, Gustav (1860-1911)]]></category>
		<category><![CDATA[Symphony]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=479</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mahler-g.jpg" width="100" height="100" alt="" title="Mahler, Gustav (1860-1911)" /><br/>Comment: Mahler&#8217;s 2nd symphony is a breakthrough work and is the start of Mahler&#8217;s brilliant symphonic career. Recommended Recording:]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mahler-g.jpg" width="100" height="100" alt="" title="Mahler, Gustav (1860-1911)" /><br/><p><strong>Comment:</strong> Mahler&#8217;s 2nd symphony is a breakthrough work and is the start of Mahler&#8217;s brilliant symphonic career.</p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/rECVyN5D60I" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended Recording:</strong></p>
<p><iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B003D0ZNWY&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://classicalweekly.com/genre/symphony/mahler-symphony-2-resurrection-4th-movement-end/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mendelssohn: Symphony #5 &#8211; &#8220;Reformation&#8221; &#8211; 1st Movement</title>
		<link>http://classicalweekly.com/genre/symphony/mendelssohn-symphony-5-reformation-1st-movement/</link>
		<comments>http://classicalweekly.com/genre/symphony/mendelssohn-symphony-5-reformation-1st-movement/#comments</comments>
		<pubDate>Sat, 17 Sep 2011 03:03:25 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Mendelssohn, Felix (1809-1847)]]></category>
		<category><![CDATA[Symphony]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=475</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mend100j.jpg" width="100" height="100" alt="" title="Mendelssohn, Felix (1809-1847)" /><br/>Comment: A wonderful work often overshadowed by Mendelssohn&#8217;s other compositions, the Symphony #5, &#8220;Reformation&#8221; is notable partly for the inclusion of the &#8220;Dreden Amen&#8221;.    Listen closely around 2:36 and [...]]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mend100j.jpg" width="100" height="100" alt="" title="Mendelssohn, Felix (1809-1847)" /><br/><p><strong>Comment:</strong> A wonderful work often overshadowed by Mendelssohn&#8217;s other compositions, the Symphony #5, &#8220;Reformation&#8221; is notable partly for the inclusion of the &#8220;Dreden Amen&#8221;.    Listen closely around 2:36 and again at around 3:00 to hear the melody.  Wagner fans will surely recognize the notes from the opera, Parsifal (see this link for the <a href="http://classicalweekly.com/composers/wagner-parsifal-verwandlungsmusik-transformation-music/">Verwandlungsmusik</a> &#8212; and you will clearly hear the Dreden Amen at around the 0:33 mark, <em>&#8220;Wer ist der Gral?&#8221;</em>).</p>
<p><object width="500" height="375"><param name="movie" value="http://www.youtube.com/v/xAHuYImgc7E?version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/xAHuYImgc7E?version=3" type="application/x-shockwave-flash" width="500" height="375" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00000I93Q&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Mozart: Piano Concerto #23, K. 488 &#8211; Third Movement</title>
		<link>http://classicalweekly.com/composers/mozart/mozart-piano-concerto-23-k-488-third-movement/</link>
		<comments>http://classicalweekly.com/composers/mozart/mozart-piano-concerto-23-k-488-third-movement/#comments</comments>
		<pubDate>Fri, 09 Sep 2011 21:45:20 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Mozart, Wolfgang Amadeus (1756-1791)]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=470</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/>Comment: You really can&#8217;t go wrong with Mozart&#8217;s late piano concertos. The third movement of Piano Concerto #23, K. 488 , demonstrates why. Recommended Recording:]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/mozart100j.jpg" width="100" height="100" alt="" title="Mozart, Wolfgang Amadeus (1756-1791)" /><br/><p><strong>Comment:</strong> You really can&#8217;t go wrong with Mozart&#8217;s late piano concertos.  The third movement of Piano Concerto #23, K. 488 , demonstrates why.</p>
<p><iframe width="420" height="345" src="http://www.youtube.com/embed/oeTyZPxlwMA" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended Recording</strong>:<br />
<iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B000004194&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://classicalweekly.com/composers/mozart/mozart-piano-concerto-23-k-488-third-movement/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Rodrigo: Concierto de Aranjuez &#8211; Allegro con spirito</title>
		<link>http://classicalweekly.com/genre/concerto/rodrigo-concierto-de-aranjuez-allegro-con-spirito/</link>
		<comments>http://classicalweekly.com/genre/concerto/rodrigo-concierto-de-aranjuez-allegro-con-spirito/#comments</comments>
		<pubDate>Fri, 17 Jun 2011 18:08:06 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Rodrigo, Joaquin (1901-1999)]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=461</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/rodrigo100j.jpg" width="100" height="100" alt="" title="Rodrigo, Joaquin (1901-1999)" /><br/>Comment: Rodrigo was a prominent Spanish composer known for his marvelous guitar music. Here is the Allegro Con Spirito from his Concierto de Aranjuez:]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/rodrigo100j.jpg" width="100" height="100" alt="" title="Rodrigo, Joaquin (1901-1999)" /><br/><p><strong>Comment: </strong>  Rodrigo was a prominent Spanish composer known for his marvelous guitar music. Here is the Allegro Con Spirito from his Concierto de Aranjuez:</p>
<p><iframe width="425" height="349" src="http://www.youtube.com/embed/eIWUFpgatJw" frameborder="0" allowfullscreen></iframe></p>
<p><iframe src="http://rcm.amazon.com/e/cm?t=wwwvoxfancom-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00009KHYE&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Haydn &#8211; Symphony 101 &#8220;The Clock&#8221; &#8211; Fourth Movement</title>
		<link>http://classicalweekly.com/composers/haydn/haydn-symphony-101-the-clock-fourth-movement/</link>
		<comments>http://classicalweekly.com/composers/haydn/haydn-symphony-101-the-clock-fourth-movement/#comments</comments>
		<pubDate>Sat, 04 Jun 2011 16:47:52 +0000</pubDate>
		<dc:creator>wolfgang</dc:creator>
				<category><![CDATA[Haydn, Franz Joseph (1732-1809)]]></category>
		<category><![CDATA[Symphony]]></category>

		<guid isPermaLink="false">http://classicalweekly.com/?p=453</guid>
		<description><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/haydn100j.jpg" width="100" height="100" alt="" title="Haydn, Franz Joseph (1732-1809)" /><br/>Comment: Haydn&#8217;s Symphony #101 is a part of the incredible group of his &#8220;London Symphonies&#8221;. Here is the fourth movement. Recommended Recording:]]></description>
			<content:encoded><![CDATA[<img src="http://classicalweekly.com//wp-content/uploads/composers/haydn100j.jpg" width="100" height="100" alt="" title="Haydn, Franz Joseph (1732-1809)" /><br/><p><strong>Comment: </strong> Haydn&#8217;s Symphony #101 is a part of the incredible group of his &#8220;London Symphonies&#8221;.  Here is the fourth movement.</p>
<p><iframe width="425" height="349" src="http://www.youtube.com/embed/tLpBlJwbEb8" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Recommended Recording:</strong><br />
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